Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, the perfectionist Jackal proves an elusive target for the men charged with the task of bringing him down: a deputy FBI boss and a former IRA terrorist.
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Charlie Croker pulled off the crime of a lifetime. The one thing that he didn’t plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.
The two brothers Aske (17 years old) and Bastian (12 years old) live with their father, Lasse. Their mother died seven years earlier. Every day they live in a world where fear, violence and alcohol are huge factors, but where the brothers’ strong and close relationship means everything. Aske’s fight for survival means that he has to serve his father’s sexual needs, which include abuse from the father, but also from paying customers and the father’s friend Hans (who has a lot of contacts in the pedophile environment). Aske tries everything to keep his little brother out of it all so that he won’t experience the same as himself. But one day Bastian is abused by their father and Aske’s entire world is about to fall apart. The brothers choose to move to Norway, far away in the beautiful mountains. Their friendship outshines everything! They are together and far away from their evil father…
In 1989, six year old Martin Bristoll was kidnapped from his backyard swing in Minersville Pennsylvania. Graham Sutter, a psychotic recluse, kept Martin imprisoned on his derelict pig farm, forcing him to witness and participate in unspeakable horrors. Chosen at random, his victim’s screams were drowned out by the rural countryside. For five years, Martin’s whereabouts have remained a mystery, until 17 year old Allison Miller (Alexandra Daddario) comes to live with her Uncle, Jonathan (Michael Biehn). While exploring her new surroundings, Allison discovers things aren’t quite right at the farmhouse down the road. Her curiosity disturbs a hornet’s nest of evil and despair that once torn open, can never be closed. Starring Michael Biehn, Brett Rickaby, Alexandra Daddario, and John Savage. Written and Directed by Stevan Mena
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy’s propensity for lodging objects in his nose and Maggie’s tendency to wander.
Carlos is a man who goes to a coffee shop-library to take a cup, where Irene is reading a book. Not a reason for it, Irene close to Carlos and talks with him, starting a friendship with a little rules: no pasts, no birth names, no modern ways to contact between them (as Internet or similar), and finally not falling in love each other. Calling themselves Hada Chalada (‘Crazy Fairy’) and Duende Chiflado (‘Mad Goblin’), both pass the days walking around the city engaged with magic, surrealist and funnies conversations about life, love and themselves, at the same time that Carlos tries to end his new script with his friend Cristóbal, and eccentric writer obsessed with Japan.
Connie is a wife and mother whose 11-year marriage to Edward has lost its sexual spark. When Connie literally runs into handsome book collector Paul, he sweeps her into an all-consuming affair. But Edward soon becomes suspicious and decides to confront the other man.
After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.