Christmas Eve in New York, and the lonely divorced publisher, Rose Collins, needs a miracle to improve the health of her mother, interned in a hospital with Alzheimers. She feels sorry for another patient and meets his visitor. Meanwhile, Nina Vasquez breaks her engagement with her beloved fiancé Mike due to his suffocating jealousy, but misses him. Mike is stalked by a stranger, bartender Artie Venzuela. The poor Jules arranges to spend Christmas Eve in the hospital, where he spent the best Christmas of his life when he was a teenager. The lives of some of these characters cross with others along the night.
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Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
A dramatization of the accounts of the students, parents, teachers and administrators caught in America’s school-to-prison pipeline, which pushes underprivileged, minority youth out of the classroom and into incarceration.
A romcom with a time-travel twist. Daniel Duncombe is not a committer. When he’s not working at a café or running to stay in shape, he’s perfectly happy to chill at home. Then he starts waking up from weird dreams to find cryptic messages scrawled on his bedroom window. Slowly it dawns on Daniel that the same mysterious force is guiding him into contact with a strange assortment of equally unattached strangers who intrude on his routine.
On the eve of legalization a marijuana grower is brutally murdered. His best friend, against the advice of his mentor (Cheech Marin, Up in Smoke), teams up with a suspended narcotics investigator (A.C. Peterson, Shooter) to find the killer. Dark Harvest’s lawless marijuana landscape creates a web of sexual intrigue and violence in which the cop and grower are forced to settle their moral differences to stop a cunning psychopath, and uncover a truth much bigger than the stolen drugs.
Federal agent Alexandra Barnes believes that Catherine Petersen is a serial killer who marries rich men and then murders them for their money. But since Catherine is seemingly a master of disguise and has multiple identities, Alexandra can’t prove anything with conventional detective work. With no other option, she goes undercover, pursuing the same man as Catherine, and hoping that Catherine will slip up and reveal her true identity.
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
Maud Bailey, a brilliant English academic, is researching the life and work of poet Christabel La Motte. Roland Michell is an American scholar in London to study Randolph Henry Ash, now best-known for a collection of poems dedicated to his wife. When Maud and Roland discover a cache of love letters that appear to be from Ash to La Motte, they follow a trail of clues across England, echoing the journey of the couple over a century earlier.
In the midst of the Mariel boat lift — a hurried exodus of refugees from Cuba going to America — an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn’t seen in decades.
Successful businesswoman Maria has achieved everything except what she wants the most – a baby of her own. She decides to deal with the matter by herself and embarks on a desperate and dangerous journey in order to make her dream come true.
Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.