Set in the Little Saigon district outside of Sydney, a woman trying to escape her past becomes embroiled in a drug deal.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Tenacious homicide detective Cassie Mayweather and her still-green partner are working a murder case, attempting to profile two malevolently brilliant young men: cold, calculating killers whose dark secrets might explain their crimes.
Struggling In his freshman year of college, Brandon tries to focus intently on his studies but keeps coming to the same conclusion: dance is his passion. His geeky roommate Nate proposes they start a dance crew, but their search for other freestyle dancers proves fruitless. So they expand their search across town, finding a break-dancer, a performance artist, a Bhangra dancer, an animator, a ballerina, and a ballroom dance mom willing to join the new crew. A national dance battle headlined by Brandon’s previous crew, Levelz, provides the first opportunity for Brandon to prove to himself and his family that he and his crew have what it takes to make it as dancers.
Caroline and Margo respond to a “Missed Connections” ad on Craigslist, only to realize that there whirlwind romance was a trap, and the man of her dreams is leading a secret life. The Two women join forces to bring down the dangerous con man who simultaneously romanced and duped them.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
Based on a real WWII vet and family man turned bank robber. Disillusioned by his post war circumstances, Eddie Boyd is torn between the need to provide for his young family and an unfulfilled dream to head to Hollywood to become a star. He discovers a way to do both, robbing banks Hollywood style, but his dream leads him down a path of danger and tragedy.
Driving cross-country to a job interview, Colin takes a short cut and comes across a fatal road accident. One of the drivers, Jina, is shaken but unhurt; the other has been killed instantly. Beside the dead body is a briefcase full of money, which Colin turns in to the local police. But getting out of town proves a nightmare, as Colin’s good deed causes a series of bizarre events to unfold.
The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as “a cross between Psycho’s Norman Bates, Melville’s Billy Budd and Being There’s Chauncey Gardner”
A woman married to a wealthy socialite, is compromised by the accidental death of a man who had been romantically pursuing her, and is forced by her mother-in-law to assume a new identity to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men, eventually returning to the city of her downfall, where she murders a blackmailer who threatens to expose her past. Amazingly, she is represented at her murder trial by her now adult son, who is a public defender. Hoping to continue to protect her son, she refuses to give her real name and is known to the court as the defendant, “Madame X.”