Police catch a break when suspected kidnappers are spotted on a train heading towards Union Station. Police, train station security and a witness try to piece together the crime and get back the blind daughter of a rich business man.
Fifteen years ago, Ben Walker made a decision to leave his college sweetheart and ultimately his faith, in order to pursue a lucrative business opportunity. Now with a high-paying career and a trophy fiancé, he is visited by an angel, who gives him a glimpse into what his life would look like had he followed his calling.
A highly-evolved planet, whose denizens feel no emotion and reproduce by cloning, plans to take over Earth from the inside by sending an operative, fashioned with a humming, mechanical penis, to impregnate an earthling and stay until the birth. The alien, Harold Anderson, goes to Phoenix as a banker and sets to work finding a mate. His approaches to women are inept, and the humming phallus doesn’t help, but on the advice of a banking colleague, he cruises an AA meeting, meets Susan, and somehow convinces her to marry. The clock starts to tick: will she conceive, have a baby, and lose Harold (and the child) to his planet before he discovers emotion and starts to care?
A squad of Ultramarines answer a distress call from an Imperial Shrine World. A full Company of Imperial Fists was stationed there, but there is no answer from them. The squad investigates to find out what has happened there.
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
Robert Ryan plays an aging sheriff responsible for law and order in a frontier cattle town. Virginia Mayo plays his fiancee. As if handling wild cattle drovers isn’t enough, a crooked casino operator from Ryan’s past comes to town. An early scuffle in the casino leaves Ryan with vision problems that interfere with his duties. Jeffrey Hunter who came to town with a cattle drive encounters Ryan, who killed Hunter’s father when Hunter was young. Feelings of animosity soon change as Hunter begins to sense Ryan is telling the truth about his father. What follows is a plot that continues to thicken to the inevitable showdown.
The story of the film centres around urban housewife Beverly Boyer (Doris Day) and her husband, a successful gynaecologist and devoted family man, Gerald (James Garner). Beverly is offered the opportunity to star for a television commercial advertising soap. After a shaky start, she gets a contract for $80,000 per year to appear on the weekly TV commercials.
Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman’s honor. A bored housewife tries to explain to her husband that he’s not as romantic as he used to be.
Peter Fonda plays ‘Heavenly Blues’, the leader of Hell’s Angels chapter from Venice, California while Bruce Dern plays ‘Loser’, his best pal. When they both botch their attempt to retrieve Loser’s stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues’ “old lady” and Diane Ladd plays Loser’s wife (Dern’s real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser’s funeral becomes another wild party.
Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination
Director Robin Hardy’s reimagining of his eerie 1973 film, The Wicker Man. Young Christians Beth and Steve, a gospel singer and her cowboy boyfriend, leave Texas to preach door-to-door in Scotland. When, after initial abuse, they are welcomed with joy and elation to Tressock, the border fiefdom of Sir Lachlan Morrison, they assume their hosts simply want to hear more about Jesus. How innocent and wrong they are.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro’s temple where Pamina is held captive.
Returning to her home town, overwhelmed by the birth of her firstborn, nineteen-year-old Chloe van Heerden tries to come to terms with motherhood. Despite the support from her own mother, Chloe struggles with the demands of caring for a newborn child. The incessant crying of her baby, the growing sense of guilt and paranoia send her into a dark depression. With a heightened urge to protect her son, she sees danger everywhere.
Waldemar, the renowned adventurer, joins an expedition to find the Yeti in the Himalayas. While hiking the mountains, he’s captured by two cannibalistic demon nymphets guarding a remote Buddhist temple and becomes their sex-slave. They transform him into a werewolf setting him loose to roam the mountain where he encounters a sadistic bandit.
A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
Nick Smith, a middle-aged roadside diner owner, hires a drifter, Frank Chambers, to work at his restaurant. Frank quickly begins an affair with Nick’s beautiful young wife, Cora, and the two conspire to kill Nick and seize his assets. When they succeed, local prosecutor Kyle Sackett becomes suspicious, but is unable to build a solid case. However, the couple soon realizes that no misdeed ever goes truly unpunished.
In the South American jungle, supplies of nitroglycerine are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers on the rough remote roads where the slightest jolt can result in death.
By coincidence rather then by design the swiss chemist Albert Hofmann makes a sensational discovery in the spring of 1943. He realizes that he is dealing with a powerful molecule that will have an impact not only on the scientific world. THE SUBSTANCE – is an investigation into our troubled relation with LSD. Told from its beginnings until today.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
This wonderful story happened in the age of valiant knights, beautiful princesses, and battling sorcerers. Ruslan, a wandering artist dreaming to become a knight, met beautiful Mila and fell in love with her; he didn’t even suspect that she is the King’s daughter. However, the lovers’ happiness wasn’t meant to last too long. Chernomor, the evil sorcerer, appeared in a magic vortex and stole Mila right before Ruslan’s eyes to transform her power of love into his own magic power. Without further ado, Ruslan sets out on a chase after the stolen princess to overcome all obstacles and to prove that real love is stronger than magic.
A newspaper publisher’s daughter suffers from neglect by her parents. She and her friends turn to crime by dressing up like men, holding up gas stations, raping young men at gunpoint, and having makeout parties when her parents are away. Their “fence” gets them to trash the school on request of sinister un-American clients, and they run afoul of the law, apple pie, and God himself.
Photographer Francesca builds Maia’s confidence while having to control her own obsessive and sexual desires towards Maia. As they spend more time together, Maia becomes the object of her obsession and things slowly spiral out of control.